”Dimitris Tiliakos as Ruprecht in "The Fiery Angel" was remarkably true to his character. He was able to stand up resolutely to the great orchestral mass, and he stood out even in the moments when the vocal line was declaimed with practically no instrumental support.
BACHTRACK.COMLeonardo Mattana Ereño
”Baritone Dimitris Tiliakos, with his sincere performance and vocal brilliance, was undoubtedly the triumphant winner in the leading role of Rigoletto.
LIBÉRATIONÉric Dahan
”Rarely has Don Giovanni been heard so lyrical and devoted, so seductive and melting from the baritone voice. Dimitris Tiliakos as Giovanni is almost overwhelmed by his irresistible seduction in the "Laci darem la mano".
KULTUR PORTHans - Juergen Fink
”Dimitris Tiliakos in the role of father Giorgio Germont, especially his aria "Di Provenza il mar, il suol", succeeds with such devotion, understanding and tenderness, that one would hardly want to hear it differently and never again less.
KLASSIK BEGEISTERTLeon Battran
”Dimitris Tiliakos' Macbeth is scenically beautiful. Elegant, deeply human, bewitching, his singing is teeming with subtle and infinitesimal nuances, which we enjoy in abundance. His "Sangue a me" in particular is dark, velvety and terrifying at the same time.
FORUM OPERACatherine Jordy
”The steadiness and control of Tiliakos’ soft singing is heard to particularly touching effect in "Wasserflut" (sung in a bleached, traumatized tone), "Irrlicht", with its haunting mezza voce ending, and an oppressive, rhythmically implacable "Rast". His diction is invariably clear; and throughout he avoids the slightest hint of sentimentality.
GRAMOPHONERichard Wigmore