Dimitris Tiliakos as Ruprecht in The Fiery Angel delivered a remarkable performance, standing strong against the orchestra and shining even in moments where the vocal line was almost unaccompanied.
BACHTRACK.COM
Leonardo Mattana Ereño
Baritone Dimitris Tiliakos, with his sincere performance and vocal brilliance, was undoubtedly the triumphant winner in the leading role of Rigoletto.
LIBÉRATION
Éric Dahan
Rarely has Don Giovanni been heard so lyrically and devotedly, so seductively and mellifluously sung by a baritone. This Giovanni is almost overwhelmed by his irresistible seduction in “Laci darem la mano”.
KULTUR PORT
Hans – Juergen Fink
Dimitris Tiliakos, in the role of Giorgio Germont, delivers “Di Provenza il mar, il suol” with such devotion, depth, and tenderness that one can hardly imagine it performed any other way.
KLASSIK BEGEISTERT
Leon Battran
Dimitris Tiliakos’ Macbeth is elegant, deeply human, and captivating. His singing is filled with subtle nuances that we experience in abundance. His “Sangue a me” in particular is both dark and velvety, yet simultaneously terrifying.
FORUM OPERA
Catherine Jordy
The steadiness and control of Tiliakos’ soft singing is especially moving in “Wasserflut” (sung in a bleached, traumatized tone), “Irrlicht”, with its haunting mezza voce ending, and the oppressive, rhythmically implacable “Rast”. His diction is always clear; and throughout, he avoids the slightest hint of sentimentality.
GRAMOPHONE
Richard Wigmore